“Style and Form in Louise Talma’s Early Songs”

Analysis of composer Louise Talma's early song

“Origin Stories: Louise Talma’s Early Life”

Composer Louise Talma's biography and the facts of her early lif

“‘Excellence in Execution’ and ‘Fitness for Teaching’: Assessments of Women at the Conservatoire Américain”

On the treatment and assessments of female students at the Conservatoire Américain in Fontainebleau, Franc

“Silencing Ophelia: Male Aurality as a Controlling Element in Olivier’s Hamlet”

On music in Olivier's film of Hamle

“Using Resources for Silent Film Music”

Using various collections of silent film musi

“Significations of Religious Desire in Louise Talma’s The Alcestiad”

Analysis of Louise Talma's opera The Alcestiad and the musical sublimation of desir

“Louise Talma’s Christmas Carol”

On a previously unknown composition by Louise Talm

“Listening to the Gaoler’s Daughter”

About the use of music in Two Noble Kinsme

Musical Mimesis in Orphans of the Storm

In this essay I explore the use of musical mimesis in the score for D. W. Griffith’s 1921 film Orphans of the Storm. I demonstrate that the score, created by Louis F. Gottschalk and William Frederick Peters, offers coherence through the use of central themes and the employment of several characteristic leitmotivs; provides recognizable musical characterizations of emotions and physical phenomena, establishing a consistent mimetic aspect to the music; and reflects the structure of the film as a whole

“Towards a Works List for Louise Talma”

A bibliography of composer Louise Talma's composition